Research
‘Media’ is a very complex term – usually denoting ‘something mediating’ or ‘carrying a message’, derived from the ancient Greek ‘meson’, which means not only ‘the middle’, but also ‘public’ and ‘common good’ and was adopted in Latin as ‘center(-point)’, but also continued as ‘public’, as well as becoming ‘something mediating’. The term is used in numerous contexts, from biology to spirituality.
The term ‘culture’, however, has a similar meaning to the term ‘media’; it also has a very wide range of meanings: Derived from the Latin ‘cultura’, it encompasses the field of meaning ‘(dwelling)’, which points towards the everyday world,- the field of ‘cultivating, adorning, training’, which denotes ‘things of higher value’,- then also ‘worshipping, adoring, celebrating’ with a view to ritual and religious aspects’,- as well as “practising agriculture”, which we find again in terms such as “cultivated plant” or “bacterial culture”. An SWR documentary (2021) aptly used the hashtag #cultureiseverything. Like any very comprehensive concept, ‘culture’ is of course also problematic, if only because the definition itself is a cultural definition and the question naturally arises as to when we speak of culture in the singular and when of cultures, and how these can be distinguished from each other and from the counter-concept of ‘nature’.
Media culture is therefore made up of two concepts that are almost impossible to define. It can also be about culture mediated by media, about culture that deals with media or develops around media, or about the question of how media are created or used in a specific cultural context.
With a Centre for Media Culture, we have therefore set ourselves a major challenge. Our aim is to approach media culture from an interdisciplinary perspective and to promote co-operation between different specialist traditions and actors from the fields of practice, art and science. In our work, traditional scientific and innovative or artistic approaches should be given equal consideration.
A few exemplary fields of interest are:
Social media
- The body in digital times: embodiment and virtuality
- Representation of cultural/social identity in social media, e.g. gender identity, ethnic identity, age group
- Dealing with stigmatisation in social media, e.g. with regard to #bodypositivity
Dispositif approach
- Changing everyday culture through media use regardless of the respective media content, e.g. through digital photography or artificial intelligence
- Typical dispositifs and power imbalances in media production, e.g. in media and/or artistically motivated productions Post-colonialism, cultural appropriation and re-appropriation in media and art
- Dealing with hybridity
- Self-staging as empowerment
Science communication
- Bridging the digital divide: ‘new’ target groups and communities, e.g. people with hearing or visual impairments, older people, people who are ‘educationally disadvantaged’, people from so-called third world countries
- Use of technologies for self-learning and in everyday life
- Promoting acceptance of technology
Trends
- Non-fungible tokens as an opportunity and risk for the art market
- Body art as a return to the non-virtual
- Aesthetics inspired by different cultural contexts, also in the context of cultural appropriation
Featured Publications:
Einführung ins Mediendesign
Maja Jerrentrup
In addition to media effects and research, the book discusses design aspects such as colour, font and images and provides considerations on handwriting, creativity, individuality and ethics. In the practical section, there are tasks on various media from business cards to posters, covers, magazines, games, tattoos and social media and ends with tips for taking your first steps in the media world.
ROSKAB Leadership Model - Executive Summary
Reinhold Kohler
The aim of Kohler´s initial research project (2011-2014) was to derive a leadership model as well as a sketch for a development program focusing on managers and employees involved in multicultural (finance) teams of organizations. Therefore, the first step was executing a literature analysis of a recent and important topic-related discussion. The result showed that against the background of optimizing leadership in a multicultural framework, the scientific discussion has not yet reached the adequate level for the target organizations (big international companies). This analysis of cultural examinations and multicultural leadership leads to the conclusion that there are dimensional cultural-related discrepancies between the countries to be examined that inter alia may lead to reduced productivity if this is not taken into account by the teams working together.
https://www.amazon.co.uk/ROSKAB-Leadership-Model-Executive-Summary/dp/3346326004
Indianness in Photography.
Maja Jerrentrup
This article explores the question whether there is a specifically Indian style of photography. A survey of photography students from various institutions revealed that though there is little clarity about the actual look of an Indian style of photography, students clearly define their own photographs as Indian. Intriguingly, the focus is less on certain visual characteristics, but more on the feelings they derive from the photographs, a scenario which is reminiscent of the rasa theory. Even though this was hardly mentioned by the students, this psycho-social element seems to have left a cultural imprint but also reflects an act of claiming ownership and agency. In addition, the students identified alienating aspects in photography, such as seeing one’s own culture like an outsider, but at the same time consider it to be integrating, since photography paves the way for a deeper engagement with one’s own culture, and as such strengthens Indianness.
https://journals.sagepub.com/doi/full/10.1177/02627280221091813
Krause, T., Uhrig, K. (2022): Journalismus zum Bingen:
Potenziale und Funktionen serieller Podcasts für das digitale Storytelling. In: Katzenberger, V., Keil, J., Wild, M. (eds) Podcasts. Springer VS, Wiesbaden.
The boom in serialised journalistic podcasts – triggered by formats such as Serial – has long since arrived in Germany and brings new opportunities, but also new challenges for media companies. This article provides an overview of the characteristics and special features of this form of non-fictional digital storytelling.
Staging the Other. Orientalism in contemporary media practice
Maja Jerrentrup
The so-called “oriental” has always been a subject for “western” fascination. Today, the staging of the “orient” in (hobby) model photography is among the most popular themes: costumes and props from various cultural contexts are combined to form a new whole. Based on participant observation and interviews, the article traces back possible individual motivations for embodying the “oriental,” among them nostalgia, corresponding with the description of the orient as “timeless,” the need for spirituality, the wish to express femininity, and to work on identity with regard to identity trials and the definition of the own identity through the help of its imagined opposite. Considering society as a whole and its zeitgeist, the phenomenon is interpreted using the concepts of escapism and kitsch, which can be observed in mainstream culture as well. Furthermore, cultural appropriation is discussed as a way to prevent getting to know other cultures, but at the same time, the “oriental” photoshoot is also seen as a chance to generate interest and to practice creativity. The article shows that the analysis of staged photographs offers a base for understanding the cultural context in which they have been taken and/or circulate, and that the photo motifs can be seen as expressions of psychological motivations.
https://revistas.ucm.es/index.php/ARIS/article/download/72035/4564456558563/4564456623063
Publications:
- Jerrentrup, Maja (2022): Oriental or a day. Staging Oneself as an Exotic Subject. Anthrovision 9(1).
- Hermanni, Alfred-Joachim (2022): Business Guide für strategisches Management – 50 Tools zum geschäftlichen Erfolg, zweite Auflage. Heidelberg: Springer Gabler.
- Jerrentrup, Maja (2022): A versatile tool: photography in the context of participation. Journal of International Cooperation and Development, 5(3).
- Jerrentrup, Maja (2022): I’m bad: The fascination of embodying the evil in a virtual world. Virtual Creativity Research, 12 (2).
- Jerrentrup, Maja and Nnanna Ndubuisi (2022): Symbolic Representations. Social media and photography in Nigeria. Journal of Communication, 3(1).
- Jerrentrup, Maja (2022): “Every frame has some touch of Indian culture to it” – Reflections on an Indian Style of Photography. South Asia Research, 44 (1).
- Jerrentrup, Maja (2022): Gaining and Losing Control: Tattoos and interpretive sovereignty. Signs and Society 10(1), 2022.
- Jerrentrup, Maja (2022): Unreadable: the pictorial side of text elements, Media Practice and Education, 2022.
- Kohler, Reinhold (2021): ROSKAB Leadership Model. Executive Summary. Munich: Grin.
- Jerrentrup, Maja (2021): Leaving the Body behind. Embodiment as a Chance to overcome the Body. HAU Journal of Ethnographic Theory 11 (3).
- Jerrentrup, Maja (2021): Staging the Other. Orientalism in contemporary Media. Arte, Individuo y Sociedad 33(4).